INTRODUCTION TO BASIC COMMERCIAL PHOTOGRAPHY
CREATIVE CLASS SIX
PHOTOGRAPHY FOR COMMERCE.
Why Photography is increasingly important in today’s economy.
In an increasingly visual world, the role of photography in business communications and marketing cannot be overstated. In the fast-paced landscape of digital media, where attention spans are fleeting, a striking photograph can capture interest in an instant and convey a message quicker than text ever could. At its core, photography is a powerful storytelling tool, capable of eliciting emotion and creating a lasting impression on its viewers.
In business communications, photography serves as a fundamental component for building a company’s identity and promoting transparency. High-quality, professional photographs can enhance press releases, annual reports, and company websites, humanizing a brand and presenting it in a positive and professional light. Whether showcasing the dedicated faces behind a corporation, illustrating the details of a new product, or highlighting the positive impacts of a company’s work, photographs infuse narratives with authenticity and credibility.
In marketing, photography plays a pivotal role in influencing consumer behavior and driving engagement. It is a critical element in advertising campaigns, social media content, product listings, and more. Good photography doesn’t just showcase a product—it sells an experience, a lifestyle, and a solution. When consumers can visualize the benefits of a service or product through captivating imagery, they are far more likely to engage and, ultimately, make a purchase. In today’s marketplace, where consumers are inundated with choices, high-quality and strategically composed photographs serve as a differentiator, setting a company’s offerings apart from competitors in an impactful way.
Moreover, in our digital age, where content can be shared widely and quickly, exceptional photography becomes a form of currency. It is easily shareable, able to go viral, and has the capacity to amplify a company’s reach exponentially. This ability for photographs to be disseminated across various platforms—from a company’s website to its social media channels to print materials—makes them invaluable assets in an integrated marketing strategy.
In essence, photography is far more than a decorative afterthought in the realm of business communications and marketing; it is an indispensable, strategic tool that has the power to inform, engage, and persuade. In a marketplace where perception can drive reality, the value of investing in high-quality, purposeful photography is clear—it can shape how a company is seen by the world, influencing both its reputation and its bottom line.
CHOOSING GENRES THAT SUPPORT EACH OTHER
For instance: Food, Lifestyle, Still Life.
Makes more sense than Food, Watercraft, Architecture.
Right?
Some genres naturally go together.
Food, Still Life, Product makes more sense than Fashion, Food, Sports.
(Although one famous photographer turned sports and fashion together into a solid career. Meet Kurt Markus, Images)
Finding areas that support each other also helps simplify in other areas. Food, Lifestyle, Portrait all take about the same sort of gear allocations, where Areal, Underwater, Fashion may require entirely different tool sets for each.
SPECIALTIES
Everyone has a specialty or two. Those genres they absolutely love to do. They are also usually the first button on the navigation. Having a specialty does not preclude having other areas of interest that the photographer may be very good at.
Just keep a close eye on how your genres tie into your portfolio, and into the geographical area you are living in.
Being a food shooter exclusive in a small town may be very difficult. Fashion in all but the largest cities is a challenge. Living in a big town without the ability to travel may preclude an adventure portfolio – although if there is a will, there is usually a way.
MARKETS FOR COMMERCIAL PHOTOGRAPHERS
Here are several types of businesses for which photography is not just a part of the marketing strategy, but the primary marketing tool. These businesses rely heavily on visuals to showcase their products, services, or experiences in a compelling and appealing way. Here are some examples:
- E-commerce and Retail Businesses:
Online retailers are wholly dependent on photography to showcase their products. Since customers cannot physically touch or try the products, high-quality, detailed images are essential to help consumers understand what they are purchasing. - Real Estate Agencies:
For real estate agents, high-quality photos of properties are paramount. They are used in listings to attract potential buyers or renters and are a fundamental part of the sales process. Special attention to developers, commercial construction, and remodeling firms - Restaurants and Catering Companies:
In the food industry, appealing photographs of dishes are used extensively in marketing. They are key to enticing customers to visit the restaurant or hire catering services. Add to that the vendors of everything from silverware to soup bowls. - Travel and Hospitality Businesses:
Hotels, resorts, and travel companies rely on stunning photographs to showcase the experiences they offer. Pictures of serene landscapes, luxurious accommodations, and exciting activities are used to entice potential travelers. - Fashion Brands and Designers:
The fashion industry is visual at its core. Designers and brands use high-quality photos in their marketing campaigns, lookbooks, and e-commerce sites to showcase their designs and attract customers. - Health and Beauty Companies:
Photography is used to showcase the results of beauty products, fitness regimens, and health supplements in a tangible way. Before-and-after photos are common marketing tools in this industry. - Interior Design Firms:
High-quality photos of beautifully designed spaces are essential for interior designers. These photos showcase the designer’s style and skills and are used in portfolios, on websites, and in marketing materials. - Event aPlanning Companies
Photos of past events, especially business events, are crucial for attracting new clients. They showcase the planner’s ability to orchestrate a beautiful and memorable experience. - Artists and Art Galleries:
For artists and galleries, high-quality images of artworks are used in catalogs, websites, and promotional materials to attract potential buyers and visitors.
- Automotive Dealerships:
Photographs of cars, both new and used, are vital for automotive sales. Clear, detailed photos are used in listings to give potential buyers a thorough understanding of what is being offered.
- Craftsmen and Artisans:
For those who create custom or handcrafted products, such as furniture, jewelry, or unique consumer goods, photography allows them to showcase the detail and quality of their work online or in promotional materials.
- Fitness Trainers and Yoga Studios:
Photos that showcase the environment of the studio, the trainers, and the postures/exercises are important to entice potential clients to join classes or training sessions. - Manufacturing Companies:
Images for product sheets, manuals, advertising, promotion, and more. - Small Service and Retail Businesses
Mom and Pop stores, e-commerce for boutiques, hospitality, experiential events, and awareness campaigns.
MODULE 6
Creative Ideas:
SOFTWARE:
Photoshop
GIMP
Affinity Photo
Pixelmator
InDesign
Affinity Publisher
Scribus
Adobe Illustrator
Affinity Designer
Premiere
Premiere Express
Canva
Adobe Express
CapCut
Adobe Firefly
Chat GPT
AudioPen
Hypefury
Typeshare
Figma
Milanote
----
Our Facebook Page for sharing work and meeting peers. All are welcome.
PHOTO ASSIGNMENTS FOR YOU:
ONE:
Take a trip around your immediate area and look for small businesses, manufacturing businesses, service businesses like real estate, or attorneys, and industrial parks.
Note down the names, or photograph them on your phone.
When you get back to the studio, start looking for their websites or online stores.
Do they use photography?
Do they need YOUR photography?
Does the photography look local, or ‘corporate’ like jewelry franchises who share all the same ad materials?
Are they indeed local, or part of a larger corporation with main offices somewhere else?
Is there contact information? A phone number is good.
Which of those potential clients fits into your choices for what you want to shoot.
If all you have is a phone number, call and find out who to send your work to.
Call.
Make notes.
Call.
Make notes.
Call.
I think you see the pattern here.
TWO:
Begin collecting ideas for a photo shoot that will net you five new images.
Five.
New images.
Sketch them out.
Gather the props.
Set shoot schedule.
Do the shoot.
Process the work.
By 10 days from today.
THREE:
Research your local newspapers for any new businesses who have started up in the last 60 days.
Contact each one with direct mail, email, and a phone call.
Blitz them within a week.
Send the card, wait one day and send email, wait four days, and call them.
Do this with three clients, every day this week and next.
Make it into a habit.
Three contacts per day.
WE CALL THIS THREE IN A ROW A BLITZ.
Let’s Discover a Few Channels
It is imperative that you understand who you work for…
… and who NEEDS the work you do.
Our example photographer:
Lives in a small Midwestern town.
Likes to shoot landscapes and environmental interiors.
Shoots basic FF 35 digital gear.
Natural Light preference.
No Studio.
CHANNELS:
Magazines (Always a channel for most of us)
From outdoor focused magazines to interior design magazines, our first channel is editorial. Shooting for the magazines gives a photographer tear sheets, cash flow and visibility. A good place to start.
Calendars
OK. Landscape calendars are popular. And some of them are lucrative for sure – but this is a very saturated market and
depending on calendar sales is going to be difficult. Let’s add it, but as a hopeful addition
Camping Gear Companies
Ahhh… so now it gets real. There are thousands of camping gear manufacturers from tents to pocket knives, backpacks to
GPS tools. This is a MAJOR channel for a landscape photographer.
Travel Related Advertising
Places to go by plane or train or boat or canoe. Sometimes the location IS the draw for the ad. This can also be a lucrative
channel for a landscape photographer
Lifestyle Products
Beautiful lake shot – add an older couple and we have an insurance, investment, pharmaceutical ad. Lovely waterfall – add
a couple of teenagers and it is a destination for summer camp or an ad for flannel hiking shirts.
Adventure products
Canoes, skis, jet skis, gliders, parasails… get the drift? Lots of adventure products that all advertise. This is an easy add for a
landscape photographer… just add people having fun.
Can you think of more?
OUR GOAL IS FOR SIX CHANNELS OR MORE.
Put your thinking cap on. Visit a bookstore magazine rack. What ads do you find there with landscape images being used to advertise a product or service?
Our Six Channels
MAGAZINES, CALENDARS, CAMPING GEAR, TRAVEL RELATED, LIFESTYLE AND ADVENTURE PRODUCTS
THERE IS A LOT OF POSSIBILITY IN THAT LIST
(CAUTION:
If you cannot find enough channels for your images, you are either too tightly focused on one subject matter, or your work cannot be used across different channels. (Exception: Fashion or purely editorial focused photographers.)
One thing I see a lot of in beginning photographers books: girls. Now, for sure there is nothing wrong with shooting women or glamour or whatever you want to call it. But there is essentially only one or two channels that it can expand into. That is not enough. A boudoir shooter must expand outside of the boudoir environment in order to become a viable commercial photographer. And the fine art nude photographer will find few, if any, possibilities for their work to be used commercially.
I am not telling you not to shoot those images, I am simply stating that the commercial uses are few and far between.)
Now, Let’s Assess Our Viability
Location is always a consideration. Always. It is not a deathtrap though, and no matter where you live, you can find work to begin to build your business. If it is a very small town, you may have to look toward the closest big town, or start out thinking regionally. If it is any other medium to medium large city, you can begin locally and branch to regional.
Given the tools you have, do you feel comfortable in accepting assignments? This is a very tough area for a lot of photographers breaking in. First of all, gear envy is a particularly insidious disease that rots us from the inside out. If you have a modern DSLR, and a couple of good lenses, and can consistently produce the work that is in your portfolio, you can begin to build a business in commercial photography. If you need something special – rent. (And put a portion of your fees into an equipment fund… you will need it.)
Now that you have discovered a good set of channels for your work, are there any gaps in the portfolio? Going through this exercise helps you discover where gaps are in your book, and also helps you identify what to do about them. Shoot for them is the obvious answer. Got lots of lake shots, but none with canoes, boaters, fishermen, couples enjoying the lake? Yeah… there ya go.
You may have also discovered something else… and want to pursue that as well.V We find out a lot about what we want to do when we actively go looking for it. That is a good thing.
Analyzing Your True Market
Analyzing Your True Market
Who are your customers?
- List your current customers here
- List your Potential customers here:
- Now list the clients you really REALLY want to work for:
Now look at the lists you have created and ask these questions:
- Where are they?
- Will their location be a problem?
- Will you be able to market to them in a reasonable way? 4. Will you need any special help to get their work?
- How will you market differently to each of them?
- Would you market differently to each of them?
- What are the basic, real world values that you can bring to your client’s work?
To do a full analysis of the companies that you want to work with, these are the areas that you must be looking into and finding the answers will help you immensely as you begin marketing to them.
For each of the clients you are targeting for a full-on marketing blitz, answer these questions:
- Who makes the buying decision? Do they have a particular buyer, or do individuals within the organization make the decisions on their own?
- When and how are the decisions made?
- How often do they need photographs? How often do they purchase or assign photography?
- How much do they buy? What is the volume of the assigned photography?
- How much are they willing to spend? What kinds of numbers are there for fees paid?
- What factors influence the purchase decision?
- What are the criteria that is used to buy the work? Can you find out what kind of criteria is used? The best thing this list can do for you is to create a situation where you are competing for work you can That is really a powerful tool for you.
Who is your direct competition?
You can be as generic or specific if you want. List the types of photographers that compete with you or be specific with names and addresses. This is a private list for your eyes only.
If you can, ask your clients who is also bidding on the work you are getting. And if you can, ask them what they like about you that keeps them coming back.
Differential Advantages
What are your differential advantages when it comes to the perceived value of your work? How can you cultivate that and make it more visible?
What are the actual perceived values that your work maintains? Why do your clients work with you?
Not all of the findings will be positive, you know. We will find out that we lack something or cannot compete on something that our competitors easily beat us on. That is certainly okay and to be expected. No one is going to be the only one. And no one photographer will be the answer to every client’s needs or desires.
What are Your “Differential Disadvantages?”
What are Your “Differential Disadvantages?”
- Perceived disadvantages: Why may clients not want to work with you? Be honest here, and be thorough. Are there risks associated to working with you that you know of? Ask your clients what they t.
How may you address these perceived disadvantages to mitigate or eliminate them in the minds of your clients?
- Actual disadvantages: What are some real, honest-to-goodness disadvantages to working with you? Can you identify any clients that may not be using you because of these disadvantages?
What can you do to mitigate or eliminate these disadvantages and create a path to “yes” for your clients?
- In what ways are you simply different in how you approach your work, client relationships, image presentation, and personality?
Does this help or hurt you in your competitive position? (Be honest!)
Now – imagine you are a fly on the wall listening to one of your best customers discussing using you with another art director or editor. This is a client that is very happy with your work and is satisfied with using you for more upcoming work.
What did they say?
What do you want them to say?
Listening to our customers discuss our work can be very enlightening, but nearly impossible to arrange. So you have to listen between the lines – between the bits of conversation that you have while picking up and delivering the job. Listen intently.
And ask. Seriously.
If you have done a few jobs with a client, take them to lunch, let them know how much you appreciate the work, and, if there is something you can do better to help them with their job, then listen. Listening is a most underrated marketing tool. Use it for advantage.
A PDF version of the above presentation.
A PDF version of the above presentation.
An Essay on Becoming Exceptional
An Essay on Becoming Exceptional
As we move toward the beginning of our business plan, I want to take this time to discuss becoming exceptional. Being exceptional means you are a cut above; maybe two. Being exceptional means you do things differently, and better. Your business is better, your work is better, your relationships are better, and the clients who expect the mundane are always surprised by exceptionalism. Unfortunately, too many of us shy away from being exceptional. We keep hearing people tell us that being that good is the same as being conceited or egocentric. The movement all across the land is to denigrate the exceptional in lieu of the mundane; no hurt feelings or trauma of having to deal with the fact that you may not be as good as that other guy — the exceptional one.
What a load of crap. The ones who make it to the top of the mountain are the exceptional ones. And anyone can go up the mountain; they just have to put one foot in front of the other and not quit.
Not. Quit.
Never quitting is one of the prime ingredients in being exceptional.
(I feel I must state that sometimes one must withdraw, whether temporarily or for a longer time. Withdrawing to regroup for a myriad of reasons is not quitting. When we quit, we emotionally destroy any link to the goal we were chasing. And a little part of us dies in the quitting. Withdrawing can be a strategic decision that leads to a different path. Only you will know whether you are indeed quitting or withdrawing. I just implore you to be honest with yourself if you have to make that decision regarding anything that is important to you.)
Sure, some will get there in record time, and others may arrive late to the party and exhausted. So? The feeling that only ”special” people are allowed in will be one of the most debilitating thoughts we can ever have enter our mind. And exceptional people are not conceited;, they simply know that they are good at what they do. That others may infer that they are somehow elitist cannot be helped these days. The striving for centerline mediocrity seems to be surrounding us on many fronts. I simply believe it is a ruse to keep people from trying to do the hard work. And without the work there is no success. And without success there is no exceptionalism. And without exceptionalism, we can all experience the fairness of lowered expectations.
Recently, a photographer published a ”manifesto” on becoming a great photographer. It was full of ”don’t bother learning” and ”just spray and pray” and ”sure, you’re good enough if you think you are” crap. I hardly think that the words contained within that piece were helpful. To be fair, there was some good advice mixed in with what is such a terrible hijacking of the ”becoming a professional” meme, but it was mostly overshadowed by the silly, faux-new-agey approach.
The point is, to be a stand-out in this business, you must stand out. In all ways – from your work to the way you treat your staff and even to how you follow up with those you may not have to ever follow up with.
When we establish a pattern of exceptionalism, that pattern follows us into other areas of our personal and professional lives.
I think our goal-setting exercises from the previous week’s assignment must now be tempered with some cold hard facts on how we will do those things with exceptionalism.
And the cool thing about being in the ”exceptional” mode is that it is really pretty easy, and it flows so smoothly. I think it is because being exceptional is the normal state for us humans. The extraneous forces that push it away from us are quite powerful. From pop culture to politics to entertainment to where we get educated, to stand out and work to be better is seen as a problem. “Go along to get along” can be the prevailing process. Striving is seen as too ambitious, too ”full of themselves”, too ”arrogant” to think that they could actually do something cool.
Something big. Really big.
So, for this exercise we are going to look at being exceptional and then we can take this exercise back to our goals and further make them real in our minds. How? By envisioning each goal as being something we will achieve with exceptionalism. We will also define some exceptional tactics to help get those goals off the ground and into the air! It’s time to fly.
For me there are three questions that I ask myself before beginning any endeavor:
- Will this help my relationships be better?
- Will this help my business be better?
- Will this help my personal being be better?
If the answer is no to any or all of them, I must then rethink if what I am prepared to do is something I should be doing.
A hand in the back… yes you… a question?
“Well, what if you want to just sit around and drink a beer on a Saturday afternoon? That won’t help anything, so I shouldn’t do it?”
Hold on for a second. Let’s look at it closely.
Will it help your relationship to be better? Sure – it could. If you have had an extremely busy week and need to relax, turn the brain off, and listen to some Credence, it most certainly can help your attitude and that can affect the relationships in a good way.
Will it help your business to be better? Possibly yes. Maybe you need to turn your mind off from focusing on a problem – just for a while – and this gives you ample opportunity. You may be surprised what the brain will come up with while you are busy doing other stuff.
Will it help your personal life? Well, if the two above are true, it only stands that this one is as well. Sure – we all need to unwind in the ways that we enjoy.
There is nothing wrong with adventuring, vacationing, lazing around for a while, or taking a nap. All can be of a huge benefit to us. But what if we want to buy that new lens on sale down at the local Camera Quickie?
Will it help our relationships? Depends on where we are financially and how things are going on that front. Could simply be a wash, or it could be a disaster. You’ll know instantly when you ask yourself the question.And, no, spending three hours trying to justify it to yourself only digs the hole a lot deeper.
Will it help the business? See above and then ask if it is something you want or something you need. If it truly is a need, then that almost answers number one above.
Will it help you personally? Only you can answer that, but I expect there are times when knowing you have the right tool for the job can help you feel more confident.
First thing in the morning, I work on me. I say some positive things about where I am and where I want to go.
And then I ask myself what can stop me from doing what I need to do that day. I want a mental picture of the people/circumstances that can get in the way of my priorities. And instantly I make a decision to not let them prevail. No one owns my day but me.
Sure, you have to take the kids to school and also that dentist appointment. (See the three questions above… heh.) All’s covered there. What do you think not taking the kids to school would do for your relationships, business, and personal life? Yeah…me too.
Understanding the challenges of the day and getting after it with a good, assertive approach will get you from where you are not moving to a track that runs pretty good. We control this track, and we do so from our feelings of whether we are deserving of a faster track or not.
I also think in order to be exceptional you must embrace the work that has to be done. Every day. No matter what, the work must be done.
Overcoming the tiredness syndrome or the apathy that can be a by-product of being tired must be dealt with daily. It is the mantra of the exceptional artist or artisan: “Get the Work Done”
An old friend of mine once told me that to be successful (and he most definitely was) one only had to work half a day. Half a day and done. He then told me to choose which 12 hours that would be. There are 24 hours in a day, and we only need work half of them.
Yeah… kind of like that.
This can be the defining point for you as well, you know: Getting to the work. You either do or do not.
“There is no try.” (Yoda)
This can always produce a challenge, of course.
It is how you deal with that challenge that will either make you successful or transform your great intentions into anchors around your neck.
Always look for solutions. Always concentrate on the challenge as if there is a solution out there waiting to be discovered. Never think that any challenge is more than a solution waiting to be found.
Other people love solutions-oriented people. When you are constantly engaged with the possible solutions, others will feel so much more comfortable that they will begin to support you. You gain allies with positive focus on creating solutions. You merely gain hangers-on with a focus on the problems; and they will abandon you faster than rats from a sinking ship at the first opportunity.
One way I think a photographer can do this is to always be shooting, whether for clients or yourself, and always be making images that mean something to you. Whether on iPhone or DSLR or MF film camera – no one cares. Just shoot images and look at/think about solutions.
Be prompt. That is what exceptional people do. They don’t put off stuff that shouldn’t be put off. They are the first out of the gate to get things done.
Get an email query? Answer it as soon as possible.
Got a friend request for LinkedIn? Accept it.
Return phone calls as soon as possible.
One thing I do that my clients like is “recap.” I take a moment after a business call to make some quick notes – bullets really – and email them to my client. This lets them know that I was, indeed, listening and that I am working actively on a solution.
Own up to mistakes early and often. Do not hesitate to say, “Whoops, got that wrong. Let’s try this…” People don’t see that as failure, they see it as someone who recognizes what has to be done and then gets after it.
Acknowledge others, and recognize exceptionalism wherever you experience it. Bad service at a restaurant will usually result in a dollar tip. That’s okay, though, because I will over tip for great, exceptional service. Acknowledging the exceptionalism of others is a way of acknowledging it in yourself as well. Because we only really want to hang out with exceptional people.
Okay, that may have gotten a few hackles up on some of you. But, well, it’s true.
If we continuously hang with and be around negative, unsuccessful people, their traits will begin to rub off on us. (Yes, I know, I sound like your mom: “Don’t let me catch you hanging with that crowd; they are a bad influence on you.”) And, yeah, we would kick a fit and loudly proclaim that they were good, decent hoodlums and would never ever, ever be able to corrupt us or be a ”bad influence” on us be we were such great little kids.
Yeah.
Of course, those are the words of youth. To be taken with a grain of salt and a pound of baloney. Of course hanging out with the hoodlums would be a bad influence. Of course – mom was right.
And I am right at this point as well. Be around losers – and self professed losers – for a while and the loserdom starts to weigh on you, and you may eventually choose one of two paths:
Path A: You want to save them. You see all the good and just want to help nourish them back to great creative health.
Path B: You acquiesce and start lowering your standards so that they will not have their feelings hurt. This will alleviate you of your guilt of being exceptional, which means you will have to go to the top of this document and begin reading again.
There is another path, though. The path called “I’m Outta Here” and you take your leave with neither pomp nor celebrity. It is a path that may be sad and hard, but it is the only path that will lead you to where you want to be.
This goes for forums and online social media as well. I have found that once I stopped arguing with people, my own value in myself rose. I rarely engage these days. I may pop in to offer my view, my expertise, and my opinion, but then I try to move quickly away and not engage with those who want to simply argue.
Offer suggestions, not harsh criticism. Offer solutions instead of piling on the problem. Offer a helping hand without expectation of a return. Offer your wisdom and insight.
Do not be surprised if it is ignored, nor be surprised if it is rewarded. There are others, like yourself, out there rewarding exceptionalism.
When you choose to do things differently than most; when you put your solutions to work instead of perpetuating the problems; when you offer to be more you than the other guy wants to be him –then you are the exception to the rule when it comes to people.
We call that exceptional. Now.
Take a look at your goals and apply these thoughts to them:
- How can I take an exceptional approach to this goal?
- How will being exceptional help me reach this goal faster?
- What can I do right now to become more exceptional in the pursuit of this goal?
- Who can I help to achieve the goal I want to achieve?
- Are there places in my list of goals that I may have to focus on with an exceptionalist point of view? Now we continue with a look at the daily questions as well:
- What challenges are there to keep me from being exceptional today?
- What solutions do I see for providing exceptional service/engagement to those I meet today?
- What commitments must I make a priority to let those around me support my actions?
- How can I help someone do something even better than they thought they could?
- Where will I find exceptional people to meet and be a part of their community? One last thing.
Exceptional people overdeliver. Every time.
Underpromise and overdeliver.
Make it your mantra. Make it your business mission. Make it a habit in all you do. Overdeliver.
Now THAT’S exceptional.
AN ASSIGNMENT TO KEEP YOU CREATIVE*
Small Brand Shoot Brief for Skincare Line Catalog Promotion
Creating a comprehensive and stylish visual campaign for a skincare line targeting women over 40 is a fabulous project. Our aim here is to produce authentic, vibrant, and relatable imagery that speaks directly to the elegant and mature women this brand serves. The photos and videos need to evoke a sense of confidence, beauty at every age, and self-care indulgence. So, let’s map out the photographer’s brief:
Objective:
Create a cohesive set of images and videos that highlight the brand’s skincare products, capturing the essence of radiant beauty and confident maturity. These visuals will be used across a yearly catalog, social media promotions, video content, and an email marketing campaign.
Target Audience:
Women over the age of 40, who value skincare and self-care, and are looking for products that cater to mature skin.
Still Shots for Ads:
- Close-up Product Shots: Clean, sharp images of the product line with a neutral background to highlight the packaging and product.
- Lifestyle Images: Models in the target age range using the products, shot in a setting that feels serene and luxurious, like a sunlit bathroom or a bedroom with plush textures.
- Portrait Shots: Empowering, close-up portraits of diverse women (in the 40+ age range) with glowing skin, showcasing the results of using these products.
Video for Social Media:
- Product Demo: A short video (60-90 seconds) showing a model applying the products, smiling, and enjoying the process. This should feel personal and relatable.
- Behind-the-Scenes (BTS): Capture candid moments from the shoot day, showing models and crew in a positive, energetic working environment.
Social Media Imagery for Promotion:
- Before and After Shots: Authentic and clear photos showing the visible results of using the products over time.
- Styled Flat Lays: Artistic arrangements of the products with complementary props like flowers, towels, or candles. Think Instagram-worthy!
Stylized Email Campaign:
- Themed Series: A collection of photos following a specific, cohesive theme (e.g., ‘A Day in the Life of Your Skin’), showing the products at various stages of a woman’s day. These images should tell a story and invite the reader into a world that this skincare line promises.
Tone and Style:
- Elegant and Authentic: Avoid overly airbrushed looks. We want real, radiant, and confident women who the audience can see themselves in.
- Warm and Inviting: Think natural light, soft shadows, and a soothing color palette that complements the product packaging.
Deliverables:
- 20 Edited High-Resolution Still Images
- 1 Product Demo Video (60-90 seconds)
- 1 BTS Video (under 2 minutes)
- 10 Social Media-Ready Images (formatted and optimized)
- 5 Email Campaign-Exclusive Images
Timeline:
- Shoot Date: TBD
- Initial Edits Due: Two weeks after shoot
- Final Deliverables Due: One month after shoot
Notes:
- Please ensure the products are the stars in every shot and video.
- Diversity is key. We want to represent the beautiful range of women who use these products.
- Let’s align every shot with the brand’s ethos of grace, confidence, and timeless beauty.
What do you think? With this brief, our photographer should have a clear, vibrant vision of what we’re aiming for in this campaign. The goal is to create visuals that not only showcase the products but resonate deeply with the amazing women who will use them. 🌟 Let’s get this shoot rolling! 😉
* I know there is not enough time in the week, or even the month, to do all of these assignments. That is why we have the PDF for you. Do what you want, think about others, and do them when they are appropriate for you to spend the time.
Why you should do this project to build your portfolio
Working through an entire brand shoot is one way to get a feel for what could be expected of you at any given time.
Assignment: Small Business Branding Photography Campaign
Objective: To simulate the experience of working with a small business client, you are tasked with creating a comprehensive set of images that the business could use for various marketing purposes – website, social media, print materials, etc.
Steps:
- Identify a Small Business:
Identify a local small business that they are interested in. This could be a café, a boutique, a craft shop, a fitness studio, etc. It’s important that the business is one that could realistically benefit from professional photography. - Client Consultation Simulation:
Prepare a list of questions they would ask the business owner during a consultation (e.g., What is the brand’s personality? What specific shots are they looking for? Where will the photos be used? etc.). Role-play this consultation with a classmate or with you. - Develop a Shot List and Concept:
Based on the simulated consultation, create a detailed shot list. This should include portraits of the owner/staff, product shots, interior and exterior shots of the business location, action shots of services being performed, etc.Additionally, students should write a brief concept or narrative that they intend to communicate through these images (e.g., the artisanal process of a local baker, the vibrant energy of a fitness class, etc.). - Scout the Location:
Visit the business (or a similar type of business if logistically necessary) to scout and plan their shots. Consider lighting, angles, and potential staging. - The Shoot:
Conduct the actual photo shoot, either at the chosen business or a staged location. Do not just get the shots on the list but also experiment and look for unexpected opportunities. - Post-Production:
After the shoot, edit and retouch the photos as necessary to align with the brand you are portraying. Select the best images that tell a coherent and compelling story about the business. - Client Presentation Simulation:
Gather a few friend and present your final images to the group, simulating a presentation to the client. Explain your choices made and how the images meet the goals set during the “consultation.”
Assessment Criteria:
- Adherence to the client’s (simulated) needs and brand
- Technical quality of the images (focus, exposure, composition, etc.)
- Effectiveness of storytelling and coherence in the photo series
- Professionalism in the “client” interactions and presentation
- Responsiveness to feedback and quality of revisions
Key Takeaways:
TAKEAWAYS HERE
1. Importance of Photography in Business Communications and Marketing:
– Photography is a powerful storytelling tool that captures interest and conveys messages quicker than text
– High-quality photographs enhance press releases, annual reports, and company websites, humanizing a brand and presenting it positively
– Photography plays a pivotal role in advertising campaigns, social media content, and product listings by influencing consumer behavior and driving engagement
– Exceptional photography can be easily shared and amplify a company’s reach across various platforms, making it an invaluable asset in marketing
2. Choosing Genres that Support Each Other:
– Certain genres naturally go together, such as food, still life, and product photography
– Specializing in specific genres helps simplify gear allocations and portfolio management
– Consider how genres tie into the geographical area for a successful photography career
3. Markets for Commercial Photographers:
– E-commerce and retail businesses rely on photography to showcase products
– Real estate agencies use high-quality property photos for listings and sales
– Restaurants, catering companies, and vendors rely on appealing food photography
– Travel, hospitality, fashion, health, beauty, interior design, event planning, artists, and automotive industries require professional photography for marketing
– Craftsmen, fitness trainers, manufacturing companies, small service, and retail businesses also benefit from professional photography
4. Module 6:
– Explore the resources listed for commercial photography techniques and lighting
– Get inspired with creative ideas for photography projects
– Discover software tools and applications helpful in photography
– Take photo assignments like exploring local businesses or collecting ideas for a shoot
5. Channels for a Landscape Photographer:
– Magazines: Shooting for editorial magazines can provide tear sheets, cash flow, and visibility.
– Calendars: Landscape calendars are popular, but the market is saturated.
– Camping Gear Companies: This is a major channel for landscape photographers as there are many camping gear manufacturers.
– Travel Related Advertising: Places to go by plane, train, boat, or canoe can be lucrative for landscape photographers.
– Lifestyle Products: Beautiful lake shots can be used in insurance, investment, or pharmaceutical ads.
– Adventure Products: Canoes, skis, jet skis, gliders, and parasails offer opportunities for landscape photographers.
– Other Possibilities: Look for landscape images being used to advertise products or services in magazines or bookstores.
6. Assessing Viability and Portfolio Gaps:
– Location Considerations: Consider the location and look for work locally or regionally.
– Accepting Assignments: Having a modern DSLR and good lenses is enough to start building a business in commercial photography.
– Portfolio Gaps: Identify gaps in your portfolio for specific subjects or themes and shoot for them.
– Exploring New Opportunities: Going through this exercise can help you discover new avenues for your photography.
7. Analyzing Your True Market:
– Customer Lists: List your current customers, potential customers, and clients you want to work for.
– Key Questions: Consider factors like location, marketing strategies, buying decisions, purchasing frequency and volume, fees, and competition.
– Differential Advantages: Identify your unique selling points and make them more visible to clients.
– Differential Disadvantages: Recognize any perceived or actual disadvantages and find ways to address or eliminate them.
– Competitive Position: Evaluate how your approach to work, client relationships, image presentation, and personality impact your competitive position.
8. Customer Testimonials:
– Listening to Customers: Although arranging direct conversations may be difficult, pay attention to cues and conversations to gain insights into customer satisfaction.
– Desired Testimonials: Imagine what you want your satisfied customers to say about your work and strive to meet those expectations.
9. Listening is a Underrated Marketing Tool:
– Take your clients to lunch to show appreciation for their work
– Listen to their needs and find ways to better help them
10. Being Exceptional is Key:
– Being exceptional means being a cut above the rest
– Don’t shy away from being exceptional, it sets you apart
– Never quitting is one of the prime ingredients in being exceptional
11. Exceptionalism in Business and Life:
– Establish a pattern of exceptionalism in all areas of life
– Striving for exceptionalism is often seen as a problem, but it is necessary for success
– Being exceptional flows smoothly and is the normal state for humans
– Ask yourself if each endeavor will improve your relationships, business, and personal well-being
12. Exceptional Tactics for Achieving Goals:
– Envision each goal as something you will achieve with exceptionalism
– Define exceptional tactics to help you reach your goals
– Exceptionalism makes goal achievement easier and more satisfying
13. Balancing Relaxation and Work:
– Taking time to relax and unwind can benefit relationships, business, and personal life
– Consider the impact of your actions on your goals, relationships, and personal well-being
– Know when something is a want versus a need in relation to business and personal life
14. Taking Control of Your Day:
– Start your day by focusing on yourself and your goals
– Identify potential challenges and make a decision to overcome them
– Take ownership of your day and prioritize your tasks
15. Embracing the Work That Needs to be Done:
– To be exceptional, you must embrace the work that needs to be done
– Deal with tiredness and apathy by prioritizing and getting the work done daily
– Work consistently and focus on productivity, not just the number of hours worked
16. Choosing a Half-Day of Productivity:
– To be successful, work half a day
– Choose the 12 hours that you will dedicate to your work
– Focus on quality and productivity in those chosen hours
17. Always look for solutions:
– Stay focused on finding solutions to challenges
– Engage with others who have a positive focus on creating solutions
18. Be prompt:
– Respond quickly to emails, friend requests, and phone calls
– Recap important discussions with quick notes to show active engagement
19. Own up to mistakes early:
– Admit mistakes and take immediate action to correct them
– See it as an opportunity to do better and learn from the experience
20. Acknowledge exceptionalism:
– Recognize and appreciate exceptional service or skills in others
– Surround yourself with exceptional people
21. Avoid negative influences:
– Be cautious of spending time with negative, unsuccessful people
– Unhealthy influences can lead to lowering your own standards
22. Offer suggestions and solutions:
– Provide constructive feedback instead of harsh criticism
– Be helpful, generous, and share your wisdom and insights
23. Take an exceptional approach:
– Apply an exceptionalist point of view to your goals
– Strive to be exceptional in everything you do
24. Overdeliver:
– Set high standards and exceed expectations
– Make overdelivering a habit in all your projects
25. Product Focus:
– Ensure that the products are the stars in every shot and video.
– Highlight the features and benefits of the products.
26. Diversity Representation:
– Showcase the beautiful range of women who use these products.
– Include women of different ages, ethnicities, and body types.
27. Align with Brand Ethos:
– Maintain a sense of grace, confidence, and timeless beauty in every shot.
– Capture visuals that resonate deeply with the women who will use the products.
28. Building a Photography Portfolio:
– Start with personal projects that showcase your style and interests.
– Offer free or discounted sessions to friends, family, or local businesses.
– Collaborate with other creatives for styled shoots.
– Take classes or workshops to improve your skills.
– Revisit and edit older work to make it portfolio-worthy.
– Volunteer to document events for charities or small businesses.
– Consistently schedule time for shooting to practice and improve.
– Aim for variety in your portfolio to appeal to different potential clients.
– Focus on quality over quantity, only show your best work.
– Seek feedback from more experienced photographers to refine your portfolio.
29. Benefits of Building a Portfolio:
– Showcase your skills and eye as a photographer.
– Attract clients and demonstrate your capabilities.
– Even without client work, you can still create an impressive portfolio.
– Keep refining and improving your work to build a portfolio you’re proud of.
30. Stay Focused and Build Deliberately:
– Set clear goals and objectives for your photography projects.
– Consistently work towards improving your skills and expanding your portfolio.
31. Contact Information:
– Email: don.giannatti@gmail.com
– Phone: 602 814 1468
– Location: Phoenix, Arizona
OK, but what if I don’t have a very deep portfolio?
Starting out in the photography world can be a bit of a catch-22, right?
You need a portfolio to attract clients, but you need clients to build a portfolio.
Don’t sweat it—every successful photographer has been there before, and there are some tried-and-true strategies for quickly building a portfolio that’s both high-quality and impressive.
Here are some tips to get that portfolio shining:
- Personal Projects are Your Best Friends:
Think of something you’re passionate about and make it a photo series. Love coffee? Visit local coffee shops and capture the art of brewing. Adore pets? Offer to photograph your friends’ furry companions. These projects showcase your style and interests, and they can be just as impressive as commissioned work. - Offer Free or Discounted Sessions:
Reach out to friends, family, or local businesses and offer to do a photo session for free or at a discounted rate. It’s a win-win: they get professional photos and you get to add beautiful work to your portfolio. Just be clear that this is a limited-time offer to help you build your portfolio. - Collaborate with Other Creatives:
Team up with a local makeup artist, stylist, or another photographer for a styled shoot. Everyone contributes their skills and walks away with great material for their portfolios. - Take a Class or Workshop:
Not only will this hone your skills, but you’ll also likely produce quality work that you can proudly display. Plus, you’ll get feedback from an experienced instructor and connect with other photographers. - Revisit Older Work:
You might be surprised at what you find when you dig into your archives. Maybe there’s a gem that you overlooked the first time. With your improved skills, you might be able to edit an older photo into portfolio-worthy material. - Volunteer Your Services for an Event:
Local charities, community events, or small businesses often have events that they would love to have documented. In exchange, you’ll get real-world experience and authentic, candid shots for your portfolio. - Set a Schedule for Shooting:
Consistency is key. Dedicate specific times each week for shooting, no matter what. The more you practice, the quicker your portfolio will grow, and the better your work will become.
Aim for Variety:
Show your range. Capture some portraits, still life, landscapes, action shots, etc. This will make your portfolio more appealing to a wider range of potential clients. - Quality Over Quantity:
This is huge. Only show your best work—it’s better to have a smaller, stunning portfolio than a large, inconsistent one. Your portfolio is only as strong as your weakest image, so be selective!
Ask for Feedback and Refine:
Don’t be afraid to ask a more experienced photographer, a mentor, or a teacher for feedback. Use that constructive criticism to refine your portfolio and improve your work. -
Every photographer started with a blank slate.
Building a portfolio is about showcasing your skills and your eye—and you absolutely don’t need a ton of client work to do that effectively.
Keep shooting, keep refining, and soon you’ll have a portfolio that you’re proud to show off!